Leaving FILARMONIKA, Building Resonance
After twelve years at FILARMONIKA Music Publishing, I've left to build Resonance Music Press — publishing infrastructure where composers keep ownership of their work.
Thinking Out Loud
Most arts nonprofits underinvest in typography. Here's why that's a strategic mistake, not just an aesthetic one.
On the strange productivity of building software for your own problems — and why musicians might be better positioned for it than they think.
Why the works we choose to perform matter as much as how we perform them — and what it means to put Latin American composers on the same stage as the European canon.
A 2025 reflection from my time at Filarmonika: the most meaningful work isn't always invention — it's building infrastructure that helps culture endure.
Conducting taught me that creativity thrives in structure — a principle that shows up in web design, publishing, and the tools I build.
What I Do
About
I conduct the Mesquite Symphony Orchestra — the 2025 winner of The American Prize in Orchestral Performance – Community Division. I also spent twelve years inside FILARMONIKA Music Publishing, the last six as Managing Director.
In 2026 I left to build Resonance Music Press: publishing infrastructure where composers keep ownership of their work. Along the way I also started building the software my organizations needed and couldn't buy — tools for accounting, publishing, and operations, built largely with AI assistance.
Contact
Performances, publishing, tools, or a question about something I've written — I read everything that comes in.
Contact Me