Update · · 2 min read
Leaving FILARMONIKA, Building Resonance
After twelve years at FILARMONIKA Music Publishing, I've left to build Resonance Music Press — publishing infrastructure where composers keep ownership of their work.
02 / Work
Resonance
Music Press
Catalog operations for composer-led catalogs — where composers keep ownership of their work.
About
Resonance Music Press gives composers and small catalogs the operational layer that independent publishing usually lacks: composer and work pages, digital performance materials, licensing workflows, agreements, payments, and protected delivery — without requiring composers to give up ownership.
I founded Resonance in 2026. It's digital-only by design, and the platform behind it is custom-built — because nothing on the market handles digital score sales, rentals, and licensing as one system.
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Resonance Music Press
What It Does
01
Catalog & Storefront
Composer and work pages on a managed storefront, built for how ensembles actually find and evaluate repertoire.
02
Licensing & Delivery
Digital performance materials with licensing workflows, agreements, and protected delivery of scores and parts.
03
Composer Ownership
Publisher-grade fulfillment and clear payment records, while composers keep the rights to their own music.
The Road Here
Resonance comes out of twelve years at FILARMONIKA Music Publishing, a catalog dedicated to music from Latin America and the Caribbean — as Production Manager (2014–2017), Music Publishing Manager (2017–2019), and Managing Director (2020–2026).
I loved the mission and I felt the limits: of general-purpose commerce tools, and of a traditional publishing model where ownership moves away from the people who wrote the music. Resonance is the model I kept wishing existed.